Takumi, Hiroshi
By Craft and Code, Determination Unveiled: A Ninja's Legacy Forged
![](https://cdn.discordapp.com/attachments/1178783435175768104/1179960681877999636/DALLE_2023-11-30_20.41.17_-_Create_a_full-body_portrait_of_Hiroshi_a_23-year-old_male_ninja_from_Sunagakure_standing_in_the_desert._He_is_61__tall_and_weighs_198_lbs_with_a_l.png?ex=657baf05&is=65693a05&hm=99fc50e967634d9b218634612b61fd379ae7deafaf8120487100761c177ad4c6&)
General Information Age: 25
Gender: Male
Height: 6' 0"
Weight: 184 lbs.
Physical Features: As Hiroshi moves with purpose, there's an air of quiet confidence around him—a fusion of the determined ninja and the artistic soul. His gaze is forward, his movements deliberate, embodying the synthesis of strength, intellect, and artistry that defines him. Hiroshi is a figure of quiet strength and refined elegance. With dutiful poise his masculine presence commands attention in any room. Standing at an average height, his lean yet well-muscled frame reflects a balance between the physical demands of ninja training and the meticulous nature of his artisan craft. Hiroshi has light colored skin with no tattoos. His onyx-black hair, often loosely hanging along his face frames a stern mug adorned with sharp features. Hiroshi's obsidian eyes are windows to a depth of wisdom, their intensity softened by the occasional shimmer of creative passion. From his face a scruffy, black beard grows, a testament to the time spent engrossed in his scholarly studies and artisanal endeavors.
Hiroshi's attire is a harmonious blend of functionality and artistry. Clad in a tailored blend of traditional ninja garb and artisan's attire, he wears a deep indigo robe with intricate embroidery that suggests wealth. A leather sash, adorned with shuriken and paper sealing tags, wraps around his waist carrying the weight of both utility and class. His hands, calloused from countless hours of craftsmanship, carry the indelible mark of an artisan. Each finger seems to possess an intuitive understanding of the tools it wields, whether crafting delicate mechanisms or executing precise hand seals. On Hiroshi's back he carries a hollowed out gourd that holds half his weight in sand. He is incredibly fit from carrying around all this sand.
Personality: Hiroshi Takumi is a man of unwavering determination, artistic brilliance, tactical genius and resolute spiritual faith. As a religious artisan who designs ornate puppets, his hands create weapons that transcend the boundaries of mere craftsmanship, embodying his passion for innovation and preserving his faith as an instrument of life and death. A scholar at heart, his mind is a repository of knowledge, always hungry for the secrets of the world and the mysteries of jutsu. Hiroshi stands as a paragon of resilience in Sunagakure; his determination is an unyielding force, driving him to hone his skills both as a craftsman and a puppeteer.
Hiroshi is a law abiding, God fearing vegetarian who follows strictly to Yuumagure as a religion. His particular sect believes that the Chosen Disciple of the Sun has yet to come. They believe that a new era will bring in someone with the power of the Suns purity to change the world. With such a spiritual belief Hiroshi is a skeptic towards the normal society of Sunagakure and looks at life with a dedicated scientific analysis expecting to uncover reasoning that allows him to see the world from a new light. He is undoubtedly focused on perfecting his craft and Hiroshi uses science to do so while resting his faith on the laurels of the Sun's Light and fighting for solidarity. Hiroshi considers his work as a ninja to be as important as his faith in the Sun. When it comes to his creations, they are not just tools; they are extensions of his identity, each telling a silent tale of his journey and a sacred discourse on the workings of Hiroshi's heart.
In the face of adversity, Hiroshi's resolve is unshaken. His eyes, sharp with determination, gaze toward the horizon searching for a better way to solve his problems. Despite being incredibly gifted with his hands and possessing a sharp intellect Hiroshi is prone to self doubt and often lacks confidence in himself. When he feels like one of his puppets won't work right, or his poisons won't be effective, Hiroshi is wracked with invasive thoughts telling him he isn't good enough. He likes to be uplifted by others around him, and when he is he proves to be a happy, charismatic and confident.
- Sexuality: Heterosexual
- Relationship Status: Single
- Religion: For his entire life Hiroshi has been part of a sect of Yuumagure called the Dawnbringer Church. The Dawnbringer Church believes that the Sun will one day cast down a true Chosen Disciple who will wield power unlike any before and shift the world into a new era where the Light of Her Glory is cast down on every shadow. Hiroshi shares this belief and has spent his whole life worshipping the Sun so that he may be a prophet of Yuumagure and help Her bring in a new era as a Paragon of Light.
- Guild: For seven years Hiroshi has been a full fledged master of the Craftsman Guild in Sunagakure. While he has made many connections for his business through networking with guildmates Hiroshi is most proud of his membership for the friends he has made. Hiroshi often gives his time to apprentices to teach them the ins and outs of puppet craftsmanship and he cherishes the connections he makes along the way.
- Occupation: As the founding owner of Sunlit Workshop Hiroshi spends most of his days as a merchant. He renovated his childhood home into a shop for ninja tools and puppets. Though the shop is found in the residential district and doesn't get many customers it has a fine reputation among Suna puppeteers.
- Greatest Achievement: The design for his puppet Kogaku is his masterpiece and Hiroshi is very proud to make a performance with his combat puppet whether it be in battle or for more menial labor, or even artistic shows.
- Favorite Foods: Hummus and pita bread are Hiroshi's favorite food to eat. For breakfast foods he always eats oatmeal or cottage cheese with fruit. For desert he loves coconut ice cream.
- Preferred Season: Summer is Hiroshi's favorite time of the year. He loves working up a sweat at his forge and hates the cold, dry winds of winter in Wind Country.
- Favorite Hobby: Besides working on puppets or crafting weapons and armor Hiroshi loves to study chemistry. He has crafted several useful poisons for Sunagakure and even some antidotes to previously thought lethal snake bites. He has a beautiful mind and he loves to work it.
- Hopes/Dreams: Growing up Hiroshi was taught by his mother that Suna's savior would one day rise from the ashes of this wretched era where people worship the Kazekage as a God. He was passionately moved by his mother's faith and adopted it as his own. Hiroshi is waiting for the day Sunagakure is changed by the true Chosen Disciple of the Sun. He dreams of becoming the Kazekage and changing the way people view their relationship with the Sun.
- Fears: Despite his composed exterior, Hiroshi harbors a deep-seated fear of losing control, particularly in situations where precision and order are paramount. The idea of not being able to foresee and manage every detail unsettles him.
- Combat Mentality: As a puppeteer Hiroshi depends on his puppet in battle. He uses his puppet, Kogaku, to deliver attacks at close range. If he finds himself cornered Hiroshi has excellent skill with ninjutsu and carries a gourd filled with sand.
Battle Information Village: Sunagakure no Sato
Rank: Jounin
- Chakra Pool: 20 (-6)
- Endurance: 20 (-2)
- Control: 50
- Strength: 15
- Speed: 25
- Willpower: 20
- Power Rank: A-Rank
On Person:5 kunai, 10 shuriken, 15m of wire , 5 exploding tags, 1 smoke bomb, 1 flash bang - Fashioned to a white cloth sash that Hiroshi wears over his waist are various ninja tools. The tools are tucked in the sash so that they are unseeable.
1 Scroll - Stored on his waist is a scroll about 12 inches wide and raveled up. It contains all of Hiroshi's puppets, including Kogaku, and is stored in a belt loop at his waist.
1 Gourd of Sand - This is a natural, hollowed out gourd that contains 100 pounds of sand.
V3 Combat Puppet: Kogaku:Companions: (0/1)Puppet Frame - 50 Strength, 50 Speed
Description:The frame of Kogaku is 6 feet tall, slender and built out of a black metallic, gold alloy that is engraved with spiritual scripts of Yuumagure. The frame is incredibly durable and resistant to blunt force, cutting, heat, cold, electricity and moisture. Fitted atop the slender neck piece is a head piece that is made out of the same black metal. The head appears horse-like with a long bearded snout. It's eyes are two eyeballs painted silver that can move independently. Kogaku has long, curving, iron horns at the top of it's head and draped in front of it's face mysteriously is long shoulder length white horse hair that is cut with a sharp edge around the puppets face.V3 Combat Puppet: KogakuShow
The torso of the puppet is made of the same black metal and has a opening feature. It's chest is incredibly wide and appears masculine. The black metal frame has slightly curved, twisting limbs that are ergonomically designed to best transfer power and speed through the puppet and the form gives it a human design. It's hands are three fingered and elegantly detailed so that fine motor control can be exhibited. From the two fingertips long claws can be extended. At the base of it's backside is a 1.5 meter long black, metal, prehensile tail. Kogaku has hooves like that of a horses for feet. The hooves are made out of emerald green diamonds and prove to be increasingly sharp.
Weapons:The legs, arms, tail and head of Kogaku can come apart. On the tip of Kogaku's thick, strong tail is a kunai blade. Inside of two fingertips on each hand are extendable, .5 meter long claws. Kogaku has an open layout chest equipped with a thick, coiled, metal cable of 20 meters in length with a hook at it's end. Kogaku is also outfitted with a sound emitter inside of it's stomach that can project distorted sounds. At it's hooves are bladed edges on the bottom.
- 2 Hand Claws
- Bladed Tail
- 2 Claws
- 20 Meters of Ninja Cable with a hook
- 2 Bladed Hooves
Affinity: Fuuton
Abilities and Concentrations
Abilities | |
---|---|
First Ability | Desert Vitality: |
Second Ability | |
Third Ability |
Concentrations | |
---|---|
Ninjutsu |
Fuuton Affinity: Katon: Raiton: Sand Style: Kuuton Affinity: Sensory: Kugutsu: Iijutsu: Storage & Force Fuuinjutsu: Charge & Augment Fuuinjutsu: Ranged Fuuinjutsu: Ninjutsu: Advanced Channeling: |
Taijutsu |
Weapons Crafting: Close Quarters Combat: Deft Hands: Medicine: |
Genjutsu | None |
Jutsu
NinjutsuShow
KugutsuShow
[Puppetry Style • String Snatch]
D-Rank Ninjutsu
The user will command a chakra string to shoot forward up to 10 meters at [Control] Speed and Stength and attach to the targets equipment. If the latching is successful the users Chakra string will suddenly shorten pulling the equipment from the body of the target with [Control] Strength.
*[Puppetry Style • Puppet Ventriloquism Technique]
D-Rank Ninjutsu
A fairly simple jutsu, this one uses the strings of chakra to carry the puppeteer's voice to the puppet, so it will sound as if the puppet is talking when in reality it is the puppeteer's words. If it is equipped with a sound vibrating device, the voice can also be changed to whatever the user wishes it to be.
[Puppetry Style • Puppet's Grasp]
D-Rank Nintaijutsu
While controlling a puppet with chakra string the user will maneuver their puppet into close quarters. Using an appendage such as an arm or tail the puppet will reach out and grab their opponent. The squeeze is equal to the puppets Strength and without higher Strength the victim cannot break free. If the puppet has grabbed the neck of their victim they can knock them unconscious for 1 post with 5 Strength greater than the targets Endurance.
*[Puppetry Style • Puppet Transformation Technique]
D-Rank Ninjutsu
Much like the original Transformation Jutsu, the puppeteer does the needed handseals and causes their puppet to take on the appearance of their own body and their own body into the appearance of their puppet. By consistently emitting chakra throughout their body, the user is able to keep their appearance adjusted at the cost of their Chakra Pool draining over time. As this technique is quite strenuous to uphold, experienced shinobi may see more clearly through this delusive disguise. This technique lasts for a number of posts equal to that of the user's Chakra Pool.
*[Puppetry Style • Puppet Change of Body Stance Technique]
D-Rank Ninjutsu
After completing the necessary handseals, the user is able to quickly substitute his/her body with one of their puppets. This substitution allows the object to take the force of the attack that was meant for the user, additionally allowing the user to create distance between him/her and the opponent. This technique may only be used a total of two (2) times in a single thread, counting towards the (2) teleportation limit.
*[Puppetry Style • Initiate Puppetry Technique]
C-Rank Ninjutsu
The Puppetry Technique is a Ninjutsu technique used by puppeteers. By releasing chakra from their tenketsu, the puppeteer is able to release chakra strings from their finger. These strings are able to move 25 meters. This jutsu allows the puppeteer to attach their chakra strings to inanimate, chakra-less objects at [Control] Speed. While an inanimate object is being controlled, it’s treated as if it has a speed equal to the puppeteer’s control.
*[Puppetry Style • Manipulate Advancing Blades]
C-Rank Ninjutsu
Prerequisite: *[Initiate Puppetry Technique]
By attaching multiple chakra strings to their kunai, the puppeteer is able to hover multiple kunai around them before throwing them all forward. The puppeteer is able to hold an amount of kunai equal to their [Control].
[Puppetry Style • Puppet Rush]
C-Rank Nintaijutsu
While controlling a puppet with chakra string the user will maneuver their puppet into a charge at their opponent with the puppets Speed and Strength. Typically the puppet will be brandishing a weapon as it charges, though it's tackle is fearsome too. The puppet can travel up to 25 meters as long as it's strings can reach that far.
[Sand Puppetry • Sand Puppet Travel Technique]
C-Rank Ninjutsu
Prerequisite: Sand Style
By channeling chakra to their puppet, the puppeteer causes the puppet to be absorbed by the ground, as long as it’s on sand, rather than rocks, concrete, or anything metal. Once under the sand, the puppet is able to reappear somewhere else undetected and surprise opponents. If the opponent has a Sensory technique of equal rank they can overcome this jutsu.
*[Puppetry Style • Puppet Senses]
C-Rank Ninjutsu
Required: *[Puppetry Style • Initiate Puppetry Technique]
By connecting a chakra string from a part of a puppet or person, the puppeteer is able to transfer their senses from their body to whichever part the strings are connected to on the puppet or human. This allows the puppeteer from ‘see’ and ‘hear’ from the perspective of what is connected to the string.
*[Puppetry Style • Storage: Puppet]
C-Rank Fuuinjutsu
Prerequisite: 5 Control
By writing out the needed fuuinjutsu on a scroll, the user is able to seal puppets into scrolls. Unlike other storage fuuin, this is able to store much more. However, whenever the puppet is removed, the user is only able to connect their chakra strings to the puppet and are unable to use any non-puppetry jutsu for the rest of the post. Puppets can't be sealed this way in combat.
*[Puppetry Style • Advanced Puppetry Technique]
B-Rank Ninjutsu
Prerequisite: *[Puppetry Style • Initiate Puppetry Technique]
Master Puppetry is a Ninjutsu technique used by puppeteers. By releasing chakra from their tenketsu, the puppeteer is able to release chakra strings from their finger. These strings are able to move 40 meters away. This jutsu allows the puppeteer to attach their chakra strings to humans or animals arms and legs at [Control] Speed, using every part of the puppet to its max potential. In order to break out from this technique, the target must be willing to break out and at least [Control] strength to resist the strings. While being controlled, the target is unable to move on their own and the puppeteer can move their arms and legs in any natural way.
*[Puppetry Style • Puppet Separation Technique]
B-Rank Ninjutsu
Prerequisite: Puppet with detachable parts.
This is a Ninjutsu technique used by puppet masters. The ability to control a multitude of separate objects with chakra strings is a difficult one, but once mastered it can be most useful. That way, the puppeteer is able not only to give his puppet a better chance to avoid attacks by simply separating its various parts, but also the ability to attack an enemy from several angles all at once.
D-Rank Ninjutsu
The user will command a chakra string to shoot forward up to 10 meters at [Control] Speed and Stength and attach to the targets equipment. If the latching is successful the users Chakra string will suddenly shorten pulling the equipment from the body of the target with [Control] Strength.
*[Puppetry Style • Puppet Ventriloquism Technique]
D-Rank Ninjutsu
A fairly simple jutsu, this one uses the strings of chakra to carry the puppeteer's voice to the puppet, so it will sound as if the puppet is talking when in reality it is the puppeteer's words. If it is equipped with a sound vibrating device, the voice can also be changed to whatever the user wishes it to be.
[Puppetry Style • Puppet's Grasp]
D-Rank Nintaijutsu
While controlling a puppet with chakra string the user will maneuver their puppet into close quarters. Using an appendage such as an arm or tail the puppet will reach out and grab their opponent. The squeeze is equal to the puppets Strength and without higher Strength the victim cannot break free. If the puppet has grabbed the neck of their victim they can knock them unconscious for 1 post with 5 Strength greater than the targets Endurance.
*[Puppetry Style • Puppet Transformation Technique]
D-Rank Ninjutsu
Much like the original Transformation Jutsu, the puppeteer does the needed handseals and causes their puppet to take on the appearance of their own body and their own body into the appearance of their puppet. By consistently emitting chakra throughout their body, the user is able to keep their appearance adjusted at the cost of their Chakra Pool draining over time. As this technique is quite strenuous to uphold, experienced shinobi may see more clearly through this delusive disguise. This technique lasts for a number of posts equal to that of the user's Chakra Pool.
*[Puppetry Style • Puppet Change of Body Stance Technique]
D-Rank Ninjutsu
After completing the necessary handseals, the user is able to quickly substitute his/her body with one of their puppets. This substitution allows the object to take the force of the attack that was meant for the user, additionally allowing the user to create distance between him/her and the opponent. This technique may only be used a total of two (2) times in a single thread, counting towards the (2) teleportation limit.
*[Puppetry Style • Initiate Puppetry Technique]
C-Rank Ninjutsu
The Puppetry Technique is a Ninjutsu technique used by puppeteers. By releasing chakra from their tenketsu, the puppeteer is able to release chakra strings from their finger. These strings are able to move 25 meters. This jutsu allows the puppeteer to attach their chakra strings to inanimate, chakra-less objects at [Control] Speed. While an inanimate object is being controlled, it’s treated as if it has a speed equal to the puppeteer’s control.
*[Puppetry Style • Manipulate Advancing Blades]
C-Rank Ninjutsu
Prerequisite: *[Initiate Puppetry Technique]
By attaching multiple chakra strings to their kunai, the puppeteer is able to hover multiple kunai around them before throwing them all forward. The puppeteer is able to hold an amount of kunai equal to their [Control].
[Puppetry Style • Puppet Rush]
C-Rank Nintaijutsu
While controlling a puppet with chakra string the user will maneuver their puppet into a charge at their opponent with the puppets Speed and Strength. Typically the puppet will be brandishing a weapon as it charges, though it's tackle is fearsome too. The puppet can travel up to 25 meters as long as it's strings can reach that far.
[Sand Puppetry • Sand Puppet Travel Technique]
C-Rank Ninjutsu
Prerequisite: Sand Style
By channeling chakra to their puppet, the puppeteer causes the puppet to be absorbed by the ground, as long as it’s on sand, rather than rocks, concrete, or anything metal. Once under the sand, the puppet is able to reappear somewhere else undetected and surprise opponents. If the opponent has a Sensory technique of equal rank they can overcome this jutsu.
*[Puppetry Style • Puppet Senses]
C-Rank Ninjutsu
Required: *[Puppetry Style • Initiate Puppetry Technique]
By connecting a chakra string from a part of a puppet or person, the puppeteer is able to transfer their senses from their body to whichever part the strings are connected to on the puppet or human. This allows the puppeteer from ‘see’ and ‘hear’ from the perspective of what is connected to the string.
*[Puppetry Style • Storage: Puppet]
C-Rank Fuuinjutsu
Prerequisite: 5 Control
By writing out the needed fuuinjutsu on a scroll, the user is able to seal puppets into scrolls. Unlike other storage fuuin, this is able to store much more. However, whenever the puppet is removed, the user is only able to connect their chakra strings to the puppet and are unable to use any non-puppetry jutsu for the rest of the post. Puppets can't be sealed this way in combat.
*[Puppetry Style • Advanced Puppetry Technique]
B-Rank Ninjutsu
Prerequisite: *[Puppetry Style • Initiate Puppetry Technique]
Master Puppetry is a Ninjutsu technique used by puppeteers. By releasing chakra from their tenketsu, the puppeteer is able to release chakra strings from their finger. These strings are able to move 40 meters away. This jutsu allows the puppeteer to attach their chakra strings to humans or animals arms and legs at [Control] Speed, using every part of the puppet to its max potential. In order to break out from this technique, the target must be willing to break out and at least [Control] strength to resist the strings. While being controlled, the target is unable to move on their own and the puppeteer can move their arms and legs in any natural way.
*[Puppetry Style • Puppet Separation Technique]
B-Rank Ninjutsu
Prerequisite: Puppet with detachable parts.
This is a Ninjutsu technique used by puppet masters. The ability to control a multitude of separate objects with chakra strings is a difficult one, but once mastered it can be most useful. That way, the puppeteer is able not only to give his puppet a better chance to avoid attacks by simply separating its various parts, but also the ability to attack an enemy from several angles all at once.
NinpouShow
FuuinjutsuShow
FuutonShow
KatonShow
RaitonShow
KuutonShow
Sand StyleShow
*[Sand Projectiles]
D-Ranked Ninjutsu
With the proper handseals performed, the user will gather a large amount of sand in their hands before throwing it outward as though it was a throwing weapon. The sand will launch forward with [Control] Speed and Strength, forming into a projectile as it flies up to 10m.
*[Sand Cloud]
D-Ranked Ninjutsu
After forming the necessary handseals, the user will take a deep breath before expelling a strong breath full of sand. The sand will then move over an area 10 meters around the user, creating a cloud of sand that floats for 3 posts before settling. Standing within the cloud causes skin irritation and can make it hard to see.
*[Sand Fist]
D-Ranked Ninjutsu
After forming the correct handseals, the user will gather sand around their hand requiring [Control] Strength to destroy. Anything they touch for the next 3 posts will have Sand's grinding effect applied to it, causing skin irritation and rashes to anyone they strike or grab.
*[Sand Pillar]
D Rank Ninjutsu
After forming the necessary seals, the user will channel their chakra into a 1 meter diameter area of sand underneath a target's feet, within 10 meters of the user. From this area, a 5 meter tall, 1 meter diameter pillar of sand will suddenly burst from the ground at [Control] Speed, striking and launching the target into the air with [Control] Strength. Regardless of whether the target is launched or not, they will suffer minor cuts and scrapes with sand in them, causing further irritation and pain, along with bruising from the impact of the pillar.
*[Sneak Attack]
D Rank Ninjutsu
The user will channel for a brief moment, then throw their hand forward. From their hand a small burst of sand will form, swarming around anything directly in front of their hand. This is often used to blind and surprise opponents to make a quick escape.
D-Ranked Ninjutsu
With the proper handseals performed, the user will gather a large amount of sand in their hands before throwing it outward as though it was a throwing weapon. The sand will launch forward with [Control] Speed and Strength, forming into a projectile as it flies up to 10m.
*[Sand Cloud]
D-Ranked Ninjutsu
After forming the necessary handseals, the user will take a deep breath before expelling a strong breath full of sand. The sand will then move over an area 10 meters around the user, creating a cloud of sand that floats for 3 posts before settling. Standing within the cloud causes skin irritation and can make it hard to see.
*[Sand Fist]
D-Ranked Ninjutsu
After forming the correct handseals, the user will gather sand around their hand requiring [Control] Strength to destroy. Anything they touch for the next 3 posts will have Sand's grinding effect applied to it, causing skin irritation and rashes to anyone they strike or grab.
*[Sand Pillar]
D Rank Ninjutsu
After forming the necessary seals, the user will channel their chakra into a 1 meter diameter area of sand underneath a target's feet, within 10 meters of the user. From this area, a 5 meter tall, 1 meter diameter pillar of sand will suddenly burst from the ground at [Control] Speed, striking and launching the target into the air with [Control] Strength. Regardless of whether the target is launched or not, they will suffer minor cuts and scrapes with sand in them, causing further irritation and pain, along with bruising from the impact of the pillar.
*[Sneak Attack]
D Rank Ninjutsu
The user will channel for a brief moment, then throw their hand forward. From their hand a small burst of sand will form, swarming around anything directly in front of their hand. This is often used to blind and surprise opponents to make a quick escape.
SensoryShow
IijutsuShow
TaijutsuShow
CraftingShow
GenjutsuShow
None
History
Historical AccountsShow
It was a bright, sunny day in Sunagakure when Hiroshi Takumi was born. His mother and father were both ninjas for the village and loving planned out their child's birth together. They were devout followers of Yuumagure and their church had confirmed that Hiroshi would certainly be blessed by the sun. The two passionately commenced with love making and soon were with a child. Hiroshi was born with lots of black hair and when the doctor spanked him he only let out a squeek. He simply was not the type of baby to cry. Hiroshi's mother happily held him in her arms on that blazing hot day, her dreams had come true.
Growing up Hiroshi proved to be an exceptionally smart child. The boy learned his name just weeks after being home and it wouldn't take long for him to begin walking and talking. With his two loving parents Hiroshi was certainly slated to grow up to be a kind, caring man. Unfortunately for Hiroshi his parents were both ninja, the bulk of a Sunagakure assault team. Dan and Moegi were destined to be called to the front lines of a conflict and as fate would have it they would not return. Both of them were killed by an A-Ranked missing ninja from Suna and Hiroshi was left orphaned at the age of four.
Fortunately for Hiroshi his parents were exceedingly rich as high profile puppeteers. They had built a business up together during the early years of their 12 year marriage and were very successful in gaining contracts from the village to create puppets for various uses. The two of them left behind a fortune for their son. They also left behind a state of the art puppet forge. The two of them had every tool imaginable and a complete forge in their workshop. Hiroshi was left to be raised by his mother sister and never felt very close to her, being at home with Mira was like being alone and Hiroshi became withdrawn. He withdrew from school. Hiroshi was a very smart young lad who was planning to become a ninja but losing his parents was everything to him.
As he grew up Hiroshi was mostly left to himself. When he was five he stepped into his parents workshop. At first he just wanted to feel close to them. The two had spent so much time in there their spirits were strong around all their tools. As he explored all the benches and puppets his parents were once working on Hiroshi's intrigue was peaked. As the minutes passed to hours Hiroshi found himself tinkering on a puppets arm. His father had left some screws loose, to put it onto the torso, and Hiroshi felt so close to his father putting it together. The boy was happier than he had been in years and he passed out right at the bench. That night was the first night he worked on a puppet and his ventures into the workshop became routine. Hiroshi had found his passion.
With the fun of working on puppets filling his day Hiroshi found himself curious on puppeteering. For a year he had just been putting together the bodies of puppets in his parents workshop, but soon he found himself yearning to control the puppets. He had always been a smart kid with prodigal talent but Kugutsu was a difficult skill to pick up. With fierce determination Hiroshi decided ot get back into school and become a puppeteer. After finishing primary school, easily, Hiroshi enrolled in the Suna academy with the help of his aunt. He had prolific talent with ninjutsu, greater than the typical genius, and thanks to his understanding of the art of puppets Hiroshi quickly picked up on Kugutsu. He graduated with no problem.
For a few years Hiroshi worked in the village as a genin and acquired the necessary skills to be a true ninja. Hiroshi developed patience, courage and stamina greater than he ever imagined he could. Also during this time the teenager began working on his first puppet. The ones he had been using up until that point were various pieces of puppets that he had pieced together from his parent's workshop. As a genin Hiroshi designed and built his first wooden puppet, Kogaku. With his first puppet Hiroshi entered the chuunin exam of Sunagakure and emerged victorious. The many weapons concealed inside of his puppet were infinitely useful in his battles and the young boy was very thankful to be crowned a chuunin.
One day before work Hiroshi was going over the bible his mother had owned before she died. She was incredibly religious and studied the Book of Yuumagure every morning and evening. As the morning light shone in on the small, horizontal window Hiroshi's body began to take in the light and mix it with his chakra creating a vibrant life energy. For the first time Hiroshi felt the rejuvenating effect of this reaction and his mind began to unravel in the book he was reading. Fingers pressed to the page he read the scripture over and over, "In the dance of sunlight, behold the interconnected threads of existence. Each ray is a soul, a unique expression of the Sun's eternal brilliance. As we bask in the radiance, let us recognize that our paths are intertwined, woven together by the cosmic loom of divine purpose."
As he read Hiroshi realized how shallow his life had been. Despite his present faith Hiroshi had never truly given his soul to the Suns embrace and he realized the depths of this fact while reading. In that moment Hiroshi felt the most dark gloom and foreboding he would ever experience, save for near death experiences. Hiroshi almost felt like giving up but in the blackness of his mind he felt a spark of beauty radiating from him. Grabbing onto this luminescence Hiroshi held tight and he seemed to fall into the greatest slumber. He closed his eyes but all he could see was the Sun's blinding light.
When he opened his eyes Hiroshi saw colors unlike he had ever seen. Greens and blues and reds and browns that were so much brighter and vibrant than before. He felt like his soul had been saved. From that day on Hiroshi committed himself to spreading the Suns glory. Of course for Hiroshi it would be difficult. He was in a small sect of Yuumagure that believed the Chosen Disciple of the Sun had yet to come to Earth yet. Hiroshi believed the Kazekage was an important link to the Sun, a priest of godliness certainly, but not a God on Earth.
For the next few years Hiroshi would battle with his desire for evangelism and his unpopular disbelief in the Kazekage, but one day he came upon a realization that would forever change him. Hiroshi realized that if he could prove to people that God was still hidden in the Suns Light he could prove to them that the Kazekage was not the Chosen Disciple. Hiroshi began studying science unlike ever before. He had always taken an interest in mechanics and the conceptualization of using fuuinjutsu with puppets to create machinated effects was no stranger to the puppeteer. But now Hiroshi was looking deeper. He was studying thermodynamics and physics. Hiroshi stepped into the realm of biology and chemistry. The world truly became Hiroshi's oyster and with his breakthroughs in chemistry with man made poisons he excelled to the top of his ranks and became a special jounin.
As a special jounin Hiroshi was fitted with a most important task. He became part of the villages Sensory Network. The Sensory network was dedicated to identifying specific chakra signatures within Sunagakure. Any member of the Sensory Network had memorized hundreds of chakra signatures and with specialized techniques they monitored the people who came in and out of the Hidden Sand Village. Hiroshi was specially suited for this role in the village as he had an incredibly wide field of investigation. Hiroshi could spot chakra signatures out from a very long distance. As a chuunin he was assigned to an assault team that specialized in bodyguard missions. Hiroshi had made a name for himself on this task force and his reputation carried on with him as a special jounin.
For many years Hiroshi worked in the Sensory Network to monitor the village. He had always been pretty familiar with the village but now he really knew every knook and cranny. Hiroshi used this knowledge in a high profile capture of a rogue ninja in the village. Thanks to Hiroshi's exceptional tracking skills the team was able to apprehend the fugitive. After his comrade gave him a long talk about the conviction a ninja must bear Hiroshi felt pretty pumped up and went to his superiors for a recommendation to rank up as a Jounin. Hiroshi was well known in the village. He was a helpful ninja who worked hard for the people, and aside from that he had reopened his parents workshop as a storefront. Before his folks sold puppets to the military but now Hiroshi was working on a much grander scale. Hiroshi had a talent for artistic expressions of weapons. He crafted some of the finest weapons and sold them from his own shop. His auntie had died and with an empty house Hiroshi decided to remodel it as a shop. Hiroshi had made quite a name for himself and after working so hard to capture that soon to be missing ninja he felt like he would be recognized.
As the Sun would have it Hiroshi was allowed to rank up and continue his service to Sunagakure as a jounin. He was very thankful for the life he had. Despite losing his parents Hiroshi had grown to be a fine man with talents and passions. Hiroshi offered something to the village that Sunagakure hadn't seen in a long time. Hiroshi was indispensable as a ninja because he carried the will to change his destiny. Hiroshi always seized the moment. When he found his passion with puppets he looked past his prejudice against ninjas to embrace the very thing that had taken his parents, and he grabbed hold of it and didn't let go. Hiroshi was an incredible man.
Growing up Hiroshi proved to be an exceptionally smart child. The boy learned his name just weeks after being home and it wouldn't take long for him to begin walking and talking. With his two loving parents Hiroshi was certainly slated to grow up to be a kind, caring man. Unfortunately for Hiroshi his parents were both ninja, the bulk of a Sunagakure assault team. Dan and Moegi were destined to be called to the front lines of a conflict and as fate would have it they would not return. Both of them were killed by an A-Ranked missing ninja from Suna and Hiroshi was left orphaned at the age of four.
Fortunately for Hiroshi his parents were exceedingly rich as high profile puppeteers. They had built a business up together during the early years of their 12 year marriage and were very successful in gaining contracts from the village to create puppets for various uses. The two of them left behind a fortune for their son. They also left behind a state of the art puppet forge. The two of them had every tool imaginable and a complete forge in their workshop. Hiroshi was left to be raised by his mother sister and never felt very close to her, being at home with Mira was like being alone and Hiroshi became withdrawn. He withdrew from school. Hiroshi was a very smart young lad who was planning to become a ninja but losing his parents was everything to him.
As he grew up Hiroshi was mostly left to himself. When he was five he stepped into his parents workshop. At first he just wanted to feel close to them. The two had spent so much time in there their spirits were strong around all their tools. As he explored all the benches and puppets his parents were once working on Hiroshi's intrigue was peaked. As the minutes passed to hours Hiroshi found himself tinkering on a puppets arm. His father had left some screws loose, to put it onto the torso, and Hiroshi felt so close to his father putting it together. The boy was happier than he had been in years and he passed out right at the bench. That night was the first night he worked on a puppet and his ventures into the workshop became routine. Hiroshi had found his passion.
With the fun of working on puppets filling his day Hiroshi found himself curious on puppeteering. For a year he had just been putting together the bodies of puppets in his parents workshop, but soon he found himself yearning to control the puppets. He had always been a smart kid with prodigal talent but Kugutsu was a difficult skill to pick up. With fierce determination Hiroshi decided ot get back into school and become a puppeteer. After finishing primary school, easily, Hiroshi enrolled in the Suna academy with the help of his aunt. He had prolific talent with ninjutsu, greater than the typical genius, and thanks to his understanding of the art of puppets Hiroshi quickly picked up on Kugutsu. He graduated with no problem.
For a few years Hiroshi worked in the village as a genin and acquired the necessary skills to be a true ninja. Hiroshi developed patience, courage and stamina greater than he ever imagined he could. Also during this time the teenager began working on his first puppet. The ones he had been using up until that point were various pieces of puppets that he had pieced together from his parent's workshop. As a genin Hiroshi designed and built his first wooden puppet, Kogaku. With his first puppet Hiroshi entered the chuunin exam of Sunagakure and emerged victorious. The many weapons concealed inside of his puppet were infinitely useful in his battles and the young boy was very thankful to be crowned a chuunin.
One day before work Hiroshi was going over the bible his mother had owned before she died. She was incredibly religious and studied the Book of Yuumagure every morning and evening. As the morning light shone in on the small, horizontal window Hiroshi's body began to take in the light and mix it with his chakra creating a vibrant life energy. For the first time Hiroshi felt the rejuvenating effect of this reaction and his mind began to unravel in the book he was reading. Fingers pressed to the page he read the scripture over and over, "In the dance of sunlight, behold the interconnected threads of existence. Each ray is a soul, a unique expression of the Sun's eternal brilliance. As we bask in the radiance, let us recognize that our paths are intertwined, woven together by the cosmic loom of divine purpose."
As he read Hiroshi realized how shallow his life had been. Despite his present faith Hiroshi had never truly given his soul to the Suns embrace and he realized the depths of this fact while reading. In that moment Hiroshi felt the most dark gloom and foreboding he would ever experience, save for near death experiences. Hiroshi almost felt like giving up but in the blackness of his mind he felt a spark of beauty radiating from him. Grabbing onto this luminescence Hiroshi held tight and he seemed to fall into the greatest slumber. He closed his eyes but all he could see was the Sun's blinding light.
When he opened his eyes Hiroshi saw colors unlike he had ever seen. Greens and blues and reds and browns that were so much brighter and vibrant than before. He felt like his soul had been saved. From that day on Hiroshi committed himself to spreading the Suns glory. Of course for Hiroshi it would be difficult. He was in a small sect of Yuumagure that believed the Chosen Disciple of the Sun had yet to come to Earth yet. Hiroshi believed the Kazekage was an important link to the Sun, a priest of godliness certainly, but not a God on Earth.
For the next few years Hiroshi would battle with his desire for evangelism and his unpopular disbelief in the Kazekage, but one day he came upon a realization that would forever change him. Hiroshi realized that if he could prove to people that God was still hidden in the Suns Light he could prove to them that the Kazekage was not the Chosen Disciple. Hiroshi began studying science unlike ever before. He had always taken an interest in mechanics and the conceptualization of using fuuinjutsu with puppets to create machinated effects was no stranger to the puppeteer. But now Hiroshi was looking deeper. He was studying thermodynamics and physics. Hiroshi stepped into the realm of biology and chemistry. The world truly became Hiroshi's oyster and with his breakthroughs in chemistry with man made poisons he excelled to the top of his ranks and became a special jounin.
As a special jounin Hiroshi was fitted with a most important task. He became part of the villages Sensory Network. The Sensory network was dedicated to identifying specific chakra signatures within Sunagakure. Any member of the Sensory Network had memorized hundreds of chakra signatures and with specialized techniques they monitored the people who came in and out of the Hidden Sand Village. Hiroshi was specially suited for this role in the village as he had an incredibly wide field of investigation. Hiroshi could spot chakra signatures out from a very long distance. As a chuunin he was assigned to an assault team that specialized in bodyguard missions. Hiroshi had made a name for himself on this task force and his reputation carried on with him as a special jounin.
For many years Hiroshi worked in the Sensory Network to monitor the village. He had always been pretty familiar with the village but now he really knew every knook and cranny. Hiroshi used this knowledge in a high profile capture of a rogue ninja in the village. Thanks to Hiroshi's exceptional tracking skills the team was able to apprehend the fugitive. After his comrade gave him a long talk about the conviction a ninja must bear Hiroshi felt pretty pumped up and went to his superiors for a recommendation to rank up as a Jounin. Hiroshi was well known in the village. He was a helpful ninja who worked hard for the people, and aside from that he had reopened his parents workshop as a storefront. Before his folks sold puppets to the military but now Hiroshi was working on a much grander scale. Hiroshi had a talent for artistic expressions of weapons. He crafted some of the finest weapons and sold them from his own shop. His auntie had died and with an empty house Hiroshi decided to remodel it as a shop. Hiroshi had made quite a name for himself and after working so hard to capture that soon to be missing ninja he felt like he would be recognized.
As the Sun would have it Hiroshi was allowed to rank up and continue his service to Sunagakure as a jounin. He was very thankful for the life he had. Despite losing his parents Hiroshi had grown to be a fine man with talents and passions. Hiroshi offered something to the village that Sunagakure hadn't seen in a long time. Hiroshi was indispensable as a ninja because he carried the will to change his destiny. Hiroshi always seized the moment. When he found his passion with puppets he looked past his prejudice against ninjas to embrace the very thing that had taken his parents, and he grabbed hold of it and didn't let go. Hiroshi was an incredible man.
Username: King of Cats
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Ryo: 16/16
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